Artist Biography by James Manheim. French coloratura soprano Natalie Dessay was born Nathalie Dessaix in Lyon in 1965. She simplified her name in homage to Natalie Wood. Dessay emerged on the international scene in the 1990s. A graduate of the Bordeaux Conservatoire.
Natalie Dessay Biography (Wikipedia) Natalie Dessay ( (listen); born 19 April 1965) is a French singer, actress, and known for her former career as an operatic coloratura soprano.Research paper on star wars i need someone to write my research paper letter essay topics entertainment essay on mass effect wiki andromeda, statement of purpose essay sample law essay japanese education, global politics essay names Plastic mukt abhiyan essay Ielts essay topic samples space research non research paper format pdf philippines.La traviata is the only one of Verdi's many operas to be set entirely indoors. Unlike Il trovatore, which was composed simultaneously, La traviata is an intimate piece, full of tender lyricism. The character of Violetta dominates the work and her music changes as she develops through the drama, from the hectic, almost hysterical coloratura of.
Natalie Dessay defies categorisation. Over a 20-year career the multi-faceted soprano has risen to the most diverse challenges, brilliantly fleshing out the great Romantic coloratura roles, savouring the delights of the Baroque, and moving with equal aplomb from comic opera to bel canto and from French art song to French (and Brazilian) pop song.
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Check out Bellini, Donizetti, Verdi: Italian Opera Arias by Natalie Dessay on Amazon Music. Stream ad-free or purchase CD's and MP3s now on Amazon.co.uk.
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Natalie Dessay is a French singer, actress, and known for her former career as an operatic coloratura soprano. She received wide acclaim in roles such as Oly.
It's a measure of Natalie Dessay's entirely appropriate priorities -- of musical content over her vanity -- that she looks so ghastly on the cover of her album of scenes and arias from Italian operas.
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What a difference a change of principals can make. Instead of the overhyped Anna Netrebko, who, as Violetta in the first five performances of San Francisco Opera’s production of Verdi’s La traviata, simplified her coloratura, shunned the much-anticipated E-flat at the end of a hardly free “Sempre libera” (Forever free), and mostly scratched the surface of her role, we now have the.
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